Richard Priebe with David Latané
"Writing and Getting an NEH Grant: Two Perspectives"
(February)
Catherine Ingrassia
"Gendered Discourse and the Early Novel: Pamela, Shamela and Anti-Pamela"
(March)
Janet Winston
"From the Diamond Jubilee to the Silver Screen: Queen Victoria's
Imperial Image and Nazi Cinema"
(April)
Elizabeth Cooper
"Native and
Non-Native Hypertext"
(February)
Nicholas Frankel
"The Meaning of Margin: White Space and Disagreement in
Whistler's 'The Gentle Art of Making Enemies'"
(March)
Terry Hummer
"The Boundaries of Poetry: Contemporary American Poetics and the
New Regionalism"
(April)
Fall 1998
Richard Priebe
"Interpretation and Misinterpretation of African Literature in
the American Classroom"
(September)
Marita Golden
"Autobiography as
Mirror and Shadow: The Seductions of the Self"
(October)
Bill Griffin
"Good
Students Reading Shakespeare"
(November)
Spring 1998
John Pendergast
"Language
Acquisition and Shakespeare's Early Comedies"
(February)
Larry Laban
"Of True
Greatness: An Inquiry into the Rhetoric of Henry Fielding, as Illustrated in the
Characterization of the Hero"
(March)
Ann Woodlief
"Creating a
(Virtual) Interpretive Community"
(April)
Fall 1997
Richard Fine
"Who Owns What
Writers Write?
American Authors and Intellectual Property"
(September)
Gary Sange
"Originality and
Imitation:
The Dynamics of Poetry"
(October)
Walter Coppedge
"Robinson
Crusoe in Hollywood"
(November)
Spring 1997
Elisabeth
Kuhn
"Cross-Cultural Challenges for German Women Professors in the United
States Classroom"
(February)
George
Longest
"The Green Gate of Genius: Charles F. Gillette
and the Changing Face of Virginia"
(March)
David Latané
"Some Intertextual Instances"
(April)
Fall 1996
Bill
Griffin
"Teaching Shakespeare: A Report"
(September)
Patricia
Perry
"Beyond Naming Writing: Freirian Conscientizationin the College
Composition Classroom"
(October)
Carmen Gillespie
"(Re)member the Present: African-American Narrativesat the
Cross-roads"
(November)
Spring 1996
Bryant
Mangum
"A Reader's Guide to the Short Stories of F. Scott Fitzgerald: A Work
in Progress"
(February)
Richard Priebe
"Making the Invisible Visible: What We Can Learn From African Popular
Writing"
(March)
Greg Donovan
"Poetry as Fiction—What Will Suffice?"
(April)
Fall 1995
Charlotte Morse
"The Modern Griselda"
(September)
Marguerite
Harkness
"Engendering the Apocalypse: Contemporary Visions of the
Apocalypse"
(October)
James
Kinney
"Joel Chandler Harris and the New South Movement: 'Free Joe' and the
Race Issue"
(November)
Spring 1995
Laura
Browder
"'Imaginary Jews': Elizabeth Stern's Autobiography as Amnesia"
(February)
Tom DeHaven
"Don't Change Anything / Change Everything: Adapting Fiction to
Film"
(March)
