The Dial

The Editors to the Reader

Volume I. July, 1840, No. 1

WE invite the attention of our countrymen to a new design. Probably not quite unexpected or unannounced will our Journal appear, though small pains have been taken to secure its welcome. Those, who have immediately acted in editing the present Number, cannot accuse themselves of any unbecoming forwardness in their undertaking, but rather of a backwardness, when they remember how often in many private circles the work was projected, how eagerly desired, and only postponed because no individual volunteered to combine and concentrate the free-will offerings of many cooperators. With some reluctance the present conductors of this work have yielded themselves to the wishes of their friends, finding something sacred and not to be withstood in the importunity which urged the production of a Journal in a new spirit.

As they have not proposed themselves to the work, neither can they lay any the least claim to an option or determination of the spirit in which it is conceived, or to what is peculiar in the design. In that respect, they have obeyed, though with great joy, the strong current of thought and feeling, which, for a few years past, has led many sincere persons in New England to make new demands on literature, and to reprobate that rigor of our conventions of religion and education which is turning us to stone, which renounces hope, which looks only backward, which asks only such a future as the past, which suspects improvement, and holds nothing so much in horror as new views and the dreams of youth.

With these terrors the conductors of the present Journal have nothing to do, --not even so much as a word of reproach to waste. They know that there is a portion of the youth and of the adult population of this country, who have not shared them; who have in secret or in public paid their vows to truth and freedom; who love reality too well to care for names, and who live by a faith too earnest and profound to suffer them to doubt the eternity of its object, or to shake themselves free from its authority. Under the fictions and Customs which occupied others, these have explored the Necessary, the Plain, the True, the Human, --and so gained a vantage ground which commands the history of the past and the present.

No one can converse much with different classes of society in New England, without remarking the progress of a revolution. Those who share in it have no external organization, no badge, no creed, no name. They do not vote, or print, or even meet together. They do not know each other's faces or names. They are united only in a common love of truth, and love of its work. They are of all conditions and constitutions. Of these acolytes, if some are happily born and well bred, many are no doubt ill dressed, ill placed, ill made--with as many scars of hereditary vice as other men. Without pomp, without trumpet, in lonely and obscure places, in solitude, in servitude, in compunctions and privations, trudging beside the team in the dusty road, or drudging a hireling in other men's cornfields, schoolmasters, who teach a few children rudiments for a pittance, ministers of small parishes of the obscurer sects, lone women in dependent condition, matrons and young maidens, rich and poor, beautiful and hard-favored, without concert or proclamation of any kind, they have silently given in their several adherence to a new hope, and in all companies do signify a greater trust in the nature and resources of man, than the laws or the popular opinions will well allow.

This spirit of the time is felt by every individual with some difference, -- to each one casting its light upon the objects nearest to his temper and habits of thought; - to one, coming in the shape of special reforms in the state; to another, in modifications of the various callings of men, and the customs of business; to a third, opening a new scope for literature and art; to a fourth, in philosophical insight; to a fifth, in the vast solitudes of prayer. It is in every form a protest against usage, and a search for principles. In all its movements, it is peaceable, and in the very lowest marked with a triumphant success. Of course, it rouses, the opposition of all which it judges and condemns, but it is too confident in its tone to comprehend an objection, and so builds no outworks for possible defence against contingent enemies. It has the step of Fate, and goes on existing like an oak or a river, because it must.

In literature, this influence appears not yet in new books so much as in the higher tone of criticism. The antidote to all narrowness is the comparison of the record with nature, which at once shames the record and stimulates to new attempts, Whilst we look at this, we wonder how any book has been thought worthy to be preserved. There is somewhat in all life, untranslatable into language. He who keeps his eye on that will write better than others, and think less of his writing, and of all writing. Every thought has a certain imprisoning as well as uplifting quality, and, in proportion to its energy on the will, refuses to become an object of intellectual contemplation. Thuswhat is great usually slips through our fingers, and it seems wonderful how a lifelike word ever comes to be written. If our Journal share the impulses of the time, it cannot now proscribe its own course. It cannot foretell in orderly propositions what it shall attempt. All criticism should be poetic; unpredictable; superseding, as every new thought does, all forgone thoughts, and making a new light on the whole world. Its brow is not wrinkled with circumspection, but serene, cheerful, adoring. It has all things to say, and no less than all the world for its final audience.

Our plan embraces much more than criticism; wereit not so, our criticism would be naught. Everything noble is directed on life and this is. We do not wish to say pretty or curious things, or to reiterate a few propositions in varied forms, but, if we can, to give expression to that spirit which lifts men to a higher platform, restores to them the religious sentiment, brings them worthy aims and pure pleasures, purges the inward eye, makes life less desultory, and, through raising man to the level of nature, takes away its melancholy from the landscape, and reconciles the practical with the speculative powers. But perhaps we are telling our little story too gravely. There are always great arguments at hand for a true action, even for the writing of a few pages. There is nothing but seems near it and prompts it,-- the sphere in the ecliptic the sap in the apple tree, --every fact, every appearance seem to persuade to it.

Our means correspond with the ends we have indicated. As we wish not to multiply books, but to report life, our resources are therefore not so much the pens of practiced writers, as the discourse of the living, and the portfolios which friendship has opened to us. From the beautiful recesses of private thought; from the experience and hope of spirits which are withdrawing from all old forms, and seeking in all that is new somewhat to meet their inappeasable longings; from the secret confession of genius afraid to trust itself to aught but sympathy; from the conversation of fervid and mystical pietists; from tear- stained diaries of sorrow and passion; from the manuscripts of young poets; and from the records of youthful taste commenting on old works of art ; we hope to draw thoughts and feelings, which being alive can impart life.

And so with diligent hands and good intent we set down our Dial on the earth. We wish it may resemble that instrument in its celebrated happiness, that of measuring no hours but those of sunshine. Let it be one cheerful rational voice amidst the din of mourners and polemics. Or to abide by our chosen image, let it be such a Dial, not as the dead face of a clock, hardly even such as the Gnomon in a garden, but rather such a Dial as is the Garden itself, in whose leaves and flowers and fruits the suddenly awakened sleeper is instantly apprised not what part of dead time, but what state of life and growth is now arrived and arriving.

[Ralph Waldo Emerson]